Reading Barcelona

Reading Barcelona

In between dodging Barcelona’s many dogs and smokers and readers, staring up at the city’s majestic patterned facades, and inhaling its lingering scent of sugar and baking bread, we’ve been journeying through some of its recent literature.

The Refugees: Summer Before the Dark

The Refugees: Summer Before the Dark

They don’t look like what we now think of as refugees—sitting at waterfront cafés over schnapps and shrimp, in suits, ties and summer frocks—but many of them have no place to go. 

Volker Weidermann paints the desperate jollity in his slim, beautiful narrative of the time, Summer Before the Dark. Centering on the friendship of Zweig and Roth, this micro-history vividly captures the disbelief, the terror, the excitement and the denial within which many of Europe’s Jewish elites waited.

(Re)Discovery: The Power of the Dog by Thomas Savage

(Re)Discovery: The Power of the Dog by Thomas Savage

Every serious reader knows that she will eventually get around to Middlemarch and Moby-Dick and The Magic Mountain. We spend much of our reading lives working toward such classics. We often save them in hope that they will one day save us. Such books come with so much expectation—not to mention an array of preconceived notions—that we sometimes convince ourselves that we’ve read them before we ever turn the first page. 

New Work: Photography

New Work: Photography

It’s by no means a matter of shame, and I can’t remember why I ever felt guilty for thinking it, but no painting or symphony has ever moved me as much as great photography.

The work of Gerda Taro, Robert Capa, Margaret Bourke-White, Walker Evans, Willy Ronis, James Nachtwey, Peter Turnley and Sebastião Salgado (to name a few) inspired me, in late November of 2015, to start carrying a camera nearly everywhere I go. The following photographs are among the images I have made in the past five months during my time in Louisiana and Australia.

I invite you to view some of these images.