The Landscape of Desire: A Novel
Several months have passed since the explorers Burke and Wills disappeared into the desert, and their whereabouts remain a mystery.
Now a search party has assembled to rescue them. Meanwhile, two other men are wandering lost in the outback: one on the verge of reaching safety; the other, broken and trapped at the heart of the continent with an Aboriginal tribe as his only hope of survival. And back in the city an actress, star of the stage in Melbourne and Sydney, longs for the return of Burke and Wills for personal reasons that will only gradually become apparent.
This is a stunning debut novel of love and identity, desire and death, set in rapidly changing yet still unknown Australia.
"This beautifully considered novel takes an old Australian story and holds it up to the light. ... Rabalais gives real animation to these famous Australians in language that is both poetic and precise." Judges, SYDNEY MORNING HERALD Best Young Australian Novelists Awards
"It will reward anyone who enjoys the use of fact as a basis for well-wrought, poetic fiction. … elegant language, plot-driven action, contemplation and thematic seriousness..." MAX OLIVER, AUSTRALIAN BOOKSELLER & PUBLISHER
"It is a stunning debut and an impressive attempt to give our colonial history some mythic resonance. In two words: Nearly brilliant." MALCOLM TATTERSALL, TOWNSVILLE BULLETIN
"The Landscape of Desire is an impressive first novel ... For all its poetry this is a page turner and it resonated with me. The writing mesmerizes and I recommend the book for this alone." SUSIE WARRICK, BYRON SHIRE ECHO
"This is a beautifully told story, intensely evocative, with long-buried secrets gradually, tantalizingly revealed." MARY ANN ELLIOTT, TOOWOOMBA CHRONICLE
"This superbly written reimagining of the Burke and Wills story ponders love, death, secrets and more. In a word: Profound." WEEKEND GOLD COAST BULLETIN
"What Rabalais's imagination offers us in The Landscape of Desire is a novel of aching beauty and ultimately unanswerable mystery. His writing has a soft, heat-haze quality to it perfectly suited to the material, and he has a sharp eye for the ideal word or image. ... All told, The Landscape of Desire is an assured and forceful novel, an exquisite book that, once you've begun reading it, you'll find it very hard to drag yourself away from." DIANE STUBBINGS, CANBERRA TIMES
"The imagery and ambience of Kevin Rabalais's The Landscape of Desire still lingers in my consciousness, almost a year after first reading it." Pick of the crop for 2008, CANBERRA TIMES
"His ambition will be rewarded, for there is much to like in The Landscape of Desire. It's a lacery of no little beauty, with frequent passages of sublime artisanship." MURRAY WALDREN, THE LISTENER
"This is a brilliant, ambitious novel by a fine new writer." RUSS RADCLIFFE, THE BIG ISSUE
"The Landscape of Desire deeply impressed me. The elegant lyricism of his prose about a harsh land and the grisly end to the Burke and Wills expedition is finely judged." ROBERT DESSAIX, SYDNEY MORNING HERALD
Richard Yates fell first. Next tumbled Stefan Zweig, Vasily Grossman, Irmgard Keun and Clarice Lispector. Last year, James Salter joined a list, partial and not a decade old, of writers you previously considered exclusive soul mates. How dare they share their insights while perched on another's lap? READ MORE
In the driver's seat of his well-worn Volvo, James Salter spreads a map of Long Island across his knees. His voice fragile but deliberate, he offers tales of the region's natives and of European settlement, also of the artists who lived and worked nearby, among them Willem de Kooning and Jackson Pollock. "Walt Whitman called it by its native American name," Salter says. "Paumanok: 'the island that pays tribute.'" Then pointing to the map's eastern edge, his fingers fan out. "See how it fishtails." READ MORE
Flip through the pages of Lorrie Moore's fiction, and Nashville—Music City, USA—will start to seem like the perfect home for the author of Self-Help, Anagrams and A Gate at the Stairs. Consider a single story from Bark, Moore's first collection since her bestselling Birds of America appeared in 1998. In its fifteen pages, "Thank You for Having Me" references Michael Jackson, Stephen Sondheim, The Doobie Brothers, standard Christmas classics and Bob Dylan. READ MORE
Don DeLillo's voice, unrushed, a slight trace of New York infiltrating its vowels, is utterly American. His measured reflections, much like his prose, search for something deeper than language itself, for what Hermann Broch calls the "word beyond speech." Early in Point Omega, his fifteenth novel, DeLillo writes: "The true life is not reducible to words spoken or written, not by anyone, ever. The true life takes place when we're alone, thinking, feeling, lost in memory, dreamily self-aware, the submicroscopic moments." READ MORE
A writer's death solidifies his body of work, conferring on it a definite shape. Final books, along with those published posthumously, carry a charged significance. Expecting the cast of new light on words that are decades old, we revisit the previous books in search of patterns. READ MORE
Follow this if you can. That seems to be the invitation Jonathan Lethem sent with his first three novels, each of them written when he was in his twenties, a university dropout who worked in used-book stores, reading voraciously and ignoring borders among literary genres. READ MORE